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The One Kingdom (War Book 1) by Sean Russell
pub: Orbit. 714 page paperback. Price: £ 6.99 (UK).
ISBN: 1-84149-088-1
From
its Shakespearean opening, you know this book is going to be a classic.
A group of young Renné nobles plot the murder of their statesman
cousin to prevent the weakening of their family in a blood feud
for dominance of a divided kingdom.
It is an enticing beginning to a truly massive tale
that stretches through time and the length of the land.
The
story can be broken down into three main strands: the Renné
plot to kill their leader Toren, the Valemen's river journey and
Elise Wills' desperate attempts to avoid an arranged marriage that
would cause a devastating war. Behind all this is an immense history
- legends of sorcerers, great battles, mysterious Fáel, secret
knightly orders, ghosts, hidden places - so much, in fact, that
in places it is almost overwhelming.
If Russell had been any less masterful, this book would have been
a passive boat ride towards a predictable conclusion. Instead, he
has used classic cues to create an original, enchanting story filled
with memorable characters in believable environments. The text is
heavy with symbolism, none more prominent than the river Wynnd,
which wends down from the newly inhabited Vales to the ancient Kingdom
homelands:
'It seemed to be a dark vein of mystery running through the
hills. A vessel bearing the souls of a lost race. Had they offered
their dead to the river? Tam wondered. Were these countless generations
confined to the sunless depths, all drifting south toward the endless
sea?'
There is a definite inevitability about the book, but it is deliberate
and powerfully used. It reads like a Greek tragedy, complete with
death-singing birds, pacts with spirits, morality tale asides and
endless political scheming. Not only that but it is almost self-analytical
as it explores the meaning and importance of storytelling:
'We are alive, though briefly. Then we are memory, for the lives
of those who knew us. And then we are story. Story lasts longest
of all - if there is any story to tell... Some write their story
across a single field or the walls of a cottage. Some write them
across an entire land, an entire age.'
This story is certainly impressive and it is the tantalising hints
at backstory that make you keep turning the pages. Throughout it
all, a dark and bloody history drips from half-spoken sentences
and seemingly careless remarks. The ending, although dramatic in
itself, was dampened by a sense of incompletion but, with the history
firmly established, the rest of this series is set to be an exhilarating
read.
As a final note, it must be said, that the female characters in
this book were woefully undeveloped. Elise, who is supposed to be
twenty years old, reacts like a spoilt child to every event. She
is weak and unresourceful to such an extent that I honestly didn't
care what happened to her.
With naïve, irrelevant musings such as that beautiful women
are 'terribly uninteresting' and 'prisoners of their own beauty',
I doubt that she'll ingratiate herself to many other female readers
either - something that could be a potential problem in this male-dominated
tale.
Hopefully though, this is just part of Russell's grand plan and
she'll bloom into a force to be reckoned with in the rest of the
saga - in a struggle between armed force and diplomacy, there's
certainly scope for an expansion of her role.
Lucy A.E. Ward
check out website: www.orbitbooks.co.uk
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