Home
about Stephen Hunt's SFcrowsnest.com
EUROPE'S MOST VISITED SF/F WEB SITE
     

The Big Bam Boom

John Aegard takes a bemused look at the Orion Project, where NASA and its chums were planning to hurl a spaceship into orbit and beyond by riding the blast generated by a series of atomic explosions.


The chief advantage of an Orion-style spaceship can be explained in terms of specific impulse, which is the time during which a mass of fuel will produce enough mass x g thrust. Conventional chemical rockets, constrained by exhaust temperature, can produce specific impulses of about 430 seconds.

Orion nuclear spaceshipOrion-style engines promised a specific impulse that was an order of magnitude higher than that--"2000 to 3000 seconds for first-generation designs, 4000 to 6000 for larger vehicles using existing bombs." The combination of long specific impulse and high thrust was unique to Orion, and would have allowed for the sustained high-acceleration maneuvers necessary for long-range manned space flight. And, like nuclear bombs in general, Orion scaled up more easily than it scaled down.

The original Orion reference design massed 4,000 tons, and unlike the Apollo missions, which sent 600 lbs into space for every pound that came home, more than half of Orion's launch weight would have returned to Earth from a voyage to Saturn. Had it fulfilled its promises, Orion would have enabled manned space travel on a grand scale, with thousands of tons of payload and year-plus mission duration.

It would have let us go into deep space in spaceships instead of mere disposable, unmanned spacecraft.

From 1958 to 1965, a team of physicists and engineers at General Atomic in California pursued the Orion dream. Project Orion tells their story ably. Dyson explores high-minded science and baroque bureaucracies in short, manageable, anecdote-loaded chapters.

It's a terrifically easy read; with just freshman physics and a passing knowledge of 1950's America, I was able to follow along with no problems. The book begins by explaining the basics of Orion, the 1950's atomic establishment, the dot-com-like culture at General Atomic, the experiments that gave rise to the Orion idea, and the seed funding from ARPA.

Dyson moves on to introduce us to some of Orion's chief characters, notably Stanislaw Ulam, who originally patented the atomic-pulse-drive idea, Ted Taylor, the Orion project leader and namer (he "just picked a name out of the sky," says the book) and Freeman Dyson, the celebrated scientist who was on board for the first two years -- and, who, not coincidentally, is George Dyson's father.

From there, it's on to the fun parts, beginning with the chapters detailing the engineering problems that Orion's designers faced. Most obviously, how do you design a pusher plate that won't shake itself apart or ablate under repeated impacts of nuclear plasma? (answer: with a thin coat of oil, reapplied between each atomic pulse.)

How do you cushion the crew from the hundred-g shock of the pulse-unit explosions? (answer: with two-stage shock absorbers.)

How do you shape the expansion of the propellant plasma so that you hit the pusher plate right? (answer: you take advantage of directed-energy weapons research to shape your atomic charges.)

How do you eject your atomic charges from around the rim and orient them so that they explode correctly? (answer: you talk to Coca-Cola about bottling plant design.)

And how do you cope with a pulse-unit misfire that sprays your pusher plate with jagged shrapnel instead of friendly plasma? (no answer given.)

Since GA's Orion program was a small shop that wasn't straightjacketed by job descriptions, the physicists were free to envision operational details and space missions for their baby. After concluding its engineering coverage, Project Orion looks at some of these missions.

Freeman Dyson proposed a mission that would have landed on the moon, orbited Venus, Earth, and Mars, and then gone out to to Enceladus, Saturn's second-innermost satellite. The mission would have made clever use of tricks like planetary gravity boosts, in-atmosphere deceleration, and propellant harvesting to stretch its range.

The senior Dyson was vexed by the problem of atomic contamination, though; even if it used the cleanest bombs available in the late fifties, an Orion launch would still introduce considerable amounts of toxic fission products into the Earth's magnetosphere. Dyson estimated that about ten people would die from atomic contamination for every Orion launch.

This was about one percent of the estimated fatalities attributed to the atomic tests of the day. Instead of waiting for cleaner bombs to solve this problem, GA collaborated with friendly factions inside NASA - including rocket pioneer Wernher von Braun, who was an enthusiastic supporter of Orion--to discuss rocket-boosted Orion models.

Proposals were made to either loft Orion into orbit wholesale or to boost it in pieces and conduct final assembly in orbit. Rocket-powered auxiliaries were also discussed; these would serve as landing craft and inter-Orion taxis.

In the end, of course, all of this work amounted to nothing. For various reasons -- nuclear test bans, lack of funding, and indifferent brass -- the Orion project was never permitted to conduct any of the nuclear test shots necessary to advance its work. The Orion staff made only a single successful test flight during the entire duration of the project, and this was conducted with 1m-diameter model powered by C4 charges.

By 1959, Freeman Dyson had left the effort; he had seen that NASA wasn't going to budge away from Von Braun's giant rockets, and he knew that NASA was the only agency that would be able to support Orion.

The project staggered on for four more years under Air Force funding, but the Air Force wasn't the right fit for Orion; no one could figure out a clear and present military use for all that lifting power. The USAF repeatedly approached NASA for money, but NASA was interested only in the conservatively incrementing known technologies, not in wholesale revolution. Orion was orphaned by 1965, its knowledge scattered through hundreds of classified documents and dozens of scientist's brains.

The book ends on a fascinating note, with modern-day retrospectives from various Orion staff. Some of them--including Ted Taylor--have renounced the idea of atomic weapons entirely. Some of them are convinced that Orion could never be made to work safely and reliably.

Others believe that Orion is an idea whose time will come. NASA agrees with them, in some small measure; they're looking at Orion again as a space-exploration and asteroid-intercept technology.

They're having a tough time finding details and data from the General Atomic project, though -- much of Orion's data is still classified. Dyson has had more success in hunting down those documents than NASA. When he contacted them in the course of his research, they begged him for copies!

I greatly enjoyed reading Project Orion. The only disappointment it held for me was its heavy reliance on Freeman Dyson's recollections, and the consequent weighting of the book towards Dyson's year of involvement.

I suspect there's a lot of interesting detail missing from the latter six years of the project. That aside, Project Orion is an excellent high-level introduction to the characters, engineering, culture, and future of the Orion project, and an ideal jumpoff point to other readings about the atomic age.

John Aegard

Based on Project Orion: The True Story of the Atomic Spaceship, by George Dyson
publisher Henry Holt & Company
ISBN 0805059857


Hobbits FREE SF MAGAZINE
Sign up for the Crowsnest SF e-magazine - full of funny reports and gossip. Be the first to find out about hot science fiction happenings & news!
        

more on the magazine...

CHAT ABOUT THIS STORY

NEWS ARCHIVE

 

OTHER CONTENT - October 2002

Project Orion

NEW. Add this news to your own web site for free!

The Big Bam Boom
John Aegard takes a bemused look at the Orion Project, where NASA and its chums were planning to hurl a spaceship into orbit and beyond by riding the blast generated by a series of atomic explosions.
(ARTICLES)

Pluto Nash
Frank puts his feet up for the space-aged spoof 'The Adventures of Pluto Nash', only to discover this film is about as funny as an asteroid stuck up one's rectum.
(FILM REVIEWS)

Lilo and Stitch
More SF movie action for Frank. 'Alien'-ation from another planet takes a Hawaiian vacation in the cute but thinly breezy sci-fi animation flick "Lilo & Stitch".
(FILM REVIEWS)

DiFate Smiles Kindly
It's hard not to use superlatives when talking about Vincent Di Fate. Just when you've been staggered by this artist's work, you realize he's also the man responsible for the ground-breaking survey of 20th-century SF art, Infinite Worlds.
(INTERVIEWS)

The King of Shannara
Fantasy author Terry Brooks on why he didn't think he would still be writing books in his Shannara universe after all this time, on why less is more, and why, like science in our own world, magic is neither good nor bad.
(AUTHOR INTERVIEWS)

The Offworld Report
A bumper crop of offworld goodies, including an interview with Nancy Kress, short fiction by Ursula K. Le Guin, and the godfather of US science fiction, Charles N. Brown, speaking out about a life serving in the trenches of the fantastic.
(ARTICLES)

The way from ConJose is … Scotland?
Brush the dust off your sporran and boil the water for the haggis, because the World Science Fiction Convention for 2005 has been awarded to Glasgow. We may fail to land the Olympics, but who cares, because science fiction is coming home at last.
(CONVENTION NEWS)

Sites for Sore Eyes
Our Rod brings you the latest in science fiction and fantasy web site reviews from the comfort of his warm den in the Highlands.
(SITE REVIEWS)

Dragonfly won't Fly
There's a sound reason for swatting away the preposterous "Dragonfly", Kevin Costner's latest sappy supernatural romantic thriller. Frank's just the man to tell you what it is.
(FILM REVIEWS)

The China Syndrome
Author China Miéville on his passion for Gormenghast, the smug utopianism of Cambridge, why David Cronenberg should make the film version of Perdido Street Station, and on being a Dr Who man through and through.
(AUTHOR INTERVIEWS)


CHAT ABOUT THIS STORY

Advertise Here (More ...)

 

 
HTML Text AOL
nest home | search engine | site directory | shop | library | tools | about us |

... www.sfcrowsnest.com © 2004 C
Want a free SF/F Zine? Then send an email to: hologramtales-subscribe@topica.com