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Out Of Joint by Philip K. Dick pub: Gollancz. 220
page enlarged paperback. Price: £ 6.99 (UK). ISBN: 0-575-07458-2 check
out website: www.orionbooks.co.uk
'It's
a mixed up world.'
Ragel Gumm lives a fairly contented life. He does the newspaper
quiz every day. He wins it all the time and makes a comfortable living. Should
he get a real job?
He is romancing Junie Black who after all is married
to his next-door neighbour maybe he should stop that. It's 1959 and everything
seems mellow. Why then is he increasingly convinced that things are out of kilter?
What
is the meaning of the phone book found on a local tip where all the telephone
numbers don't appear to exist?
With his sense of what is real and what
is false slipping away maybe the Civil Defence Class will bring him back to reality.
After all, the Soviet Union is a real threat during the 50s and the Civil Defence
organiser seems awfully keen to get him to come to meetings. Ragel
keeps a box with slips of paper in it. They have titles such as 'gas station'
and 'cow'. He found these on the ground after the 'real thing' vanished before
his eyes. It is only when Ragel's brother-in-law, Vic, starts experiencing similar
blips in reality that they decide to escape from Old Town. This book
addresses themes that are constantly reworked in Dick's books. His own rather
peculiar nature seemed to demand he went over this ground again and again. Reading
this book and his others it is easy to see where films such as 'The Matrix' get
their inspiration. Dick himself produced a substantial body of work including
one of my favourite's 'Ubik'. It starts well with an apparently normal
family in a normal town. It soon moves into darker territory causing the reader
to consider possibilities of mind control and brain washing. It made me think
of Russian 'sleeper' agents who were trained in facsimiles of American towns.
There are some superb passages in the book. Those dealing with the breakdown
of expectations when the reality apparently breaks down for a few seconds are
particularly precise. Having set it up so beautifully, the final explanation when
it comes is disappointing. It does not fit with the previous section of the novel.
The human brain's desire for closure is so strong though that I was relieved
before I was disappointed. By accepting the explanation we deny the 'reality'
of what went before. A scene where the bus that Vic is travelling on becomes 'hollow'
with only him and the driver with 'upright featureless shapes like scarecrows'
instead of 'all the nodding people...the noise the smells and chatter.' This
creates a sense of a great void and nothingness that makes the reader cold with
anticipation. This breakdown in a carefully constructed reality occurs to Vic
not Ragel. These two are the only ones that suffer this stutter in the construction.
At the end, we understand what Ragel has done but the future for Vic looks bleak
indeed. Dick was creating for a specific market but what would have
happened if he had junked the second half of the book and gone for broke. Well,
probably he would have written something like 'Ubik' where the nature of what
is real and what has been created by the mind is twisted and turned to the nth
degree. Contained within this book is a look at how the mind protects
itself, the power of the Government, free will and family ties. Quite a substantial
basket of goods for a straight Science Fiction novel? No, because as we have already
established Science Fiction is simply a method bringing into popular discussion
some extremely important issues. Another one to tick of the list of
Philip K. Dick novels and I'm left with a sense of incompleteness. Time to read
some more I think.
Sue Davies
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