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Flights: Extreme Visions Of Fantasy edited by Al Sarrantonio
pub: ROC. 575 page hardback. Price: $24.95 (US), $37.50 (CAN). ISBN: 0-451-45977-6

check out website: www.penguin.com


That's it. I'm finally convinced: fantasy is kicking ass at the moment and the short story form is the steel toe-capped boot it's using to do it! All it will take for you to join me in my little damp patch of happiness will be a quick flick through this wonderful collection of tales, gathered from the grey cells of established genre authors and from others less familiar but no less talented.

Al Sarrantonio's collection originates from the original mission statement that he gave to the authors involved. He told them to 'not feel constrained in any way, to write whatever fantasy tales they wanted.' With a less experienced group of authors this could have lead to disaster, as no one wants to read twenty tales about giant four-breasted blonde warriors who love fighting, but enjoy the making up afterwards even more.


Well, OK, I do but lets not get side-tracked here.
Instead we have a collection of such variety and scope, I would not hesitate in ranking it amongst the best anthologies of any kind available to buy at the moment.

When faced with such quality it's difficult to pick favourites, but you know I'm going to, don't you? The story I would class as the highlight of the collection would be Charles de Lint's 'Riding Shotgun'. Despite plagiarising madly from 'Back To The Future' and 'Ghost', this novel amalgamation of familiar SF themes succeeds in being the most enjoyable tale of the lot.

It concerns an alcoholic who discovers that his father, whom he's not spoken to for over twenty-five years, has died. He is forced to return to the family homestead where he relives a terrible family tragedy and I don't mean metaphorically. It's a tale that contains just the right mix of humour and horror. It keeps you breathless until the very last word. Simply marvellous.

This book is not a one trick pony though. Joyce Carol Oates' story 'Six Hypotheses' (I'm not even going to attempt to reproduce the squiggly thing that forms part of the actual title in the book) reads like an issue of the 'Fortean Times' written by a government agent. It's certain to send shivers down even the sturdiest of spines.

Neal Barrett's 'Tourists' takes a comical look at the nature of the afterlife in an inventive piece that is heavily metaphorical of the exploitative nature of real tourism. It's another fine example of the ability of genre fiction to address real-world issues, slowly and carefully, so the reader doesn't even realise they've been messed with until it's much too late.

Neil Gaiman's 'The Problem of Susan' is typical of his masterful use of language and imagery in an alternative look at C. S. Lewis' 'The Last Battle', although it does not quite manage to live up to the superb quality of his other work, such as that found in the 'Smoke and Mirrors' collection. Give him a break though, he did write it shortly after recovering from meningitis!

There are some other tales that, whilst never actually being bad, do sometimes wander from the yellow-brick lined path of the truly excellent. Dennis L. McKiernan's tale is sometimes unintentionally funny and Kit Reed's 'Perpetua' is more odd than entertaining. Peter Schneider's 'Tots' is just sick. Which is actually not a criticism, it rocks!

Any slight missteps along the way are counterbalanced by wonderful experimental pieces like Harry Turtledove's 'Coming Across' or the fable-like 'Relations' by Nina Kiriki Hoffman. The editor's story 'Sleepover' is also superb, which is refreshing as it is not uncommon for editors to stick in any old rubbish when it comes to their own tale. I mean, who's going to argue with them? Instead, we are given a truly haunting tale of children waking up to a bleak new world, a Grimm fairy tale for the new age.

The collection is rounded off magnificently by Gene Wolfe's 'Golden City Far', a tale that interweaves dreams and reality to magical effect. It is a story within a story within a story, which at points even surpasses 'The Book Of The New Sun' and it has a talking dog. Like I said, marvellous!

Your bookshelf wants this collection. If you don't get it, it will come alive in the night, chew you up and re-fashion you as a novelty bookend. Don't say I didn't warn you.

Paul Skevington


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