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Enjoying Jackson's Take On Tolkien
Now that Jackson's take on the Lord of the Rings trilogy has been
put to bed, Joseph asks just what has been achieved ... and will history
smile on this particular cinematic adaptation?
Leaving
an advance screening of Lord Of The Rings: Return Of The King
my buddy and I found ourselves in a sea of post-game conversation.
As we descended the vertigo inducing stairs of the Paramount Theatre,
we came to a standstill because of the bottleneck at the bottom
of the flight.
Here,
pressed up against others eager to exit the building after sitting
for over three hours straight, I'm forced between the brain dump
and synopsis of two die-hard fanboys trying desperately to join
the dots between film and literature.
Why did Elrond bring Andúril to Aragorn at Dunharrow?
He should have had it with him when he left Rivendell.
Right. That's why the entire thing doesn't work for me.
I've heard many conversations like this over the last three years
and I've learned to read between the lines. Allow me to translate:
Why aren't movies the same as the books?
It should be nine hours instead of three.
True. Therefore I'm not going to let myself enjoy it.
Most of the exiting moviegoers had no clue what my bookworm brothers
were on about because chances are they were too caught up in all
the action, tension, tears and excitement of the film. These are
the things that draw most of us to go to the movies and in recent
years it's hard to find a film that has all those motivating factors.
For me, it's been a long drought with the last oasis being The
Two Towers and The Fellowship Of The Ring the year before
that. As a Tolkien reader, I get a charge seeing characters and
settings I've spent so much time with finally brought to life. As
a moviegoer, I'm lost in the special effects, moving performances
and sheer ingenuity of the production team.
But a movie can't be a book and it shouldn't try to be. It's amazing
how many of my fellow fans forget this as they try to rationalise
why Gandalf would stray from the storyline to chase off Nazgul with
a beam of white light.
Tolkien had a very special and dusty place on my shelf. It had
been almost 15 years since I had even opened the books and driven
by anticipation and a Chapters impulse display, I bought a new edition
and re-read the trilogy several months before the Fellowship's release.
It was great to open up the jacket and be right back where I was
when I first found Middle Earth.
Of course I had grown and many elements took on new meaning but
essentially it was as if I had never left. After the premiere of
The Fellowship, I felt much the same. Sure things were changed
and some important elements had fallen out while lifting the story
from the page to the screen but I was in Middle Earth none-the-less.
When I talked with other fans I found that many of them were lost
in the translation.
Readers know what's coming. Some of them have been on the 1000
plus page journey three or four times, so every scene is being judged
against an image they have in their heads and some of them have
been building these images for decades, myself included. So when
the on-screen Aragorn strays from Tolkien's path many book fans
feel left behind or just plain lost.
In his interviews, it seems like Jackson is continually answering
to these fans for the choices he's made, many of which I'm sure
were not easy and maybe not what we would have done. But we didn't
put a studio and ourselves on the line to tackle what seemed like
a near impossible task and we didn't book off four years of lives
to make it happen.
The way people go on you would think PJ just pulled the script
out of his shorts but watch any of the documentaries and you'll
see an incredible amount of consideration given to all the details
included and left out. There's an explanation for every question
a fanatic can conjure somewhere in the six hours of interviews and
extras on the extended DVDs.
And it's not just Jackson that has all the answers: if writer Philipa
Boyens can't cover it then I'm sure the guys who spent two years
making chain-mail have an opinion. You've got to have respect for
the source material to take on a job like that, make no mistake.
Just to ensure we were getting everything out of them, the filmmakers
decided to release a longer version of the film with more of the
detail that makes Tolkien's world so rich. The extended DVDs are
intended to appease the hardcore fans looking for the lost pieces
that only an additional 40 minutes of footage can provide and for
me knowing there's an extended edition on the way alleviates the
concerns over the minor adaptation shortcomings of the theatrical
release.
But no length of extended footage is going to make it more like
the book. It's only going to give us more of the movie experience,
a little more of Jackson's Middle Earth.
Sure, if a little flotsam and jetsam makes you feel like you got
more Tolkien out of Jackson then fine but I say the Three Foot Six
crew have given everything they had in them to immerse us, the fans,
in the environment, to get us a booth at the Green Dragon, wet our
feet in the Anduin. If that's not enough screw the Gollum bookend
and include a vial of Jackson's blood in the Return of the King
gift set.
What SF/H/F readers are lucky enough to have their sacred text
realised by such a dedicated and inspired team of artists, actors
and production crew? It's a staggering achievement for a director,
cast and crew working outside of the Hollywood system.
What die-hard fans should really be upset about are chicken rings
at KFC. Chances are Aragon's face on a bucket of chicken would probably
start the spin cycle in JRRT's grave sooner than a discrepancy over
where and when the king gets his sword. Seriously, if you want to
take issue with how Tolkien's works are treated then talk to the
people who came up with Hungry For The Quest! Now there's
a battle you can take to the streets.
Joseph Nanni
(c) 2003 comments - all rights reserved
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